Your friendly neighborhood audition accompanist 05/23 6:18pm
I was playing auditions at Equity the other day, and was reminded that sometimes actors are really, REALLY bad about communicating to their accompanist in terms of how they want their song played. I know there are accompanists out there who aren't the greatest, or ignore you, or don't listen to what you say... but I do wonder how many people out there just don't have a clue as to how to talk to their accompanist. In my experience, its damn near every person that comes in the room. So here are 10 helpful tips from your friendly neighborhood audition accompanist:
1) A smile and a hello go a long way! You can even tell me your name and shake my hand if you want.
2) Put your music down, or hand it to me and I'll put it down so you don't miss the lip of the stand and have your enormous binder crash onto my baby maker.
3) Show me where you are starting, where you are ending, and any cuts. Mark these things clearly. Feel free to point out key changes or odd spots, and have those marked as well.
4) FOR THE LOVE OF GOD GIVE ME YOUR TEMPO. And please, give me your tempo ACCURATELY. I can't stress this enough-- so many people come in, and just casually and hastily sing through a measure or two of their song giving no semblance of a tempo. The best way to give a tempo to a pianist is to conduct (learn to conduct the basics, its real easy) your tempo and sing a bit of the song. Have a tempo change? SHOW ME where and ACCURATELY how fast. People have given me tempos, and to make sure they're sure I'll play a tempo they give me only to have them say "oh that's way too fast", which I assumed it would be. Know your stuff.
5) "Ok I start here, you'll just follow me ok?" Yes, I probably will, but not everyone will. We're working together here, I want you to have a good audition, so please at least give me a general idea of what you want.
6) Its always a good idea to have a bell tone be your start. I can feel exactly how you're going to do your song based on the breath you take before you begin. This also let's YOU take control, as opposed to having me start with some crazy ass, ill fitting intro that ultimately you'll miss and then blame me for.
7) Please don't be afraid to ask me something when it comes to your song. I realize audition notices these days say your accompanist may not transpose, but if you have your song ending awkwardly in a key that isn't where you began without a helpful modulation, its not gonna end well. Its obviously best to have it all laid out correctly, but if you had asked me if I transpose I would have said "Abso-freakin-lutely!" and I could have given you the best Sondheim ending you ever heard. Don't be afraid, I'm your friend.
8) STOP APOLOGIZING. Do not give me your music and then say "Sorry, its kind of complicated" or "Sorry its in F#" or "Sorry its fast!". I do this for a living, I can sight read Sondheim, JRB, Adam Guettel, and Bernstein. I can follow the time changes, I can follow the key changes, I can play your orchestral reduction. Why are you sorry? You need to have more faith in me than that. And you need to have more confidence in yourself and your audition piece. NEVER APOLOGIZE for your song choice.
9) I'm there to support you. I'm there to ACCOMPANY you. You are the leader. Take charge. If we get off on the wrong measure, note, tempo, whatever, STOP the song. Let's fix it together. I'm not offended. The casting director isn't offended. If anything, it shows you have the wherewithal to control your audition, and to want to be at your best. I'll say sorry, we'll get ourselves in order, and you'll kick ass.
10) A smile and a thank you are also great on the way out.
We're all in this together, and as someone who both auditions and plays auditions regularly, I hope this advice is helpful. Book it!
*slow clap*
*standing ovation*
This is awesome! Yes, yes, and yes!
A good accompanist/collaborator is an incredible thing!
And I second conducting skills! That is the one class in undergrad that I took that has been the MOST helpful in the real world! Know your ictus people!
yes.
Thank you! I love the advice - I can also tell you why we sometimes fail to communicate: a monitor snapped at the line right before we walked in the room "keep it moving guys, 2 minutes! If you are doing 16 bars, 1 minute monologue" and other such things that have us running on lost time before we even walk in
-the last audition we did, where we put down our music, started to give a tempo and point things out and the accompianist snapped at us, ignored us, or shushed us (it happens)
-we practiced the whole spiel, walked in the room, the CD said something to us, blew our nerve infused minds and we put our music down whilst hoping we responded with "how are you" correctly
Love your advice, and good to remember, but mainly we love and appreciate that 9 times out of ten, despite us being our own worst enemies, you pianists save our butts. Seriously. When we say thank you in the room, we mean it (cus you and me both know I skipped that measure in the bridge but the CD doesn't and that's thanks to YOU) :)
This is wonderful, thank you!
"MotherMonsterApproved",
Thank You! Yes!
BUT
"emuhe",
Thank YOU, too.
Both sides are true.
Wait... there are people that DON'T do these things?! Did they learn ANYTHING ANYWHERE?!